The particular composition of the scene anticipates a series of themes which the Artist has reached in the Eighties through the investigation on Realism. The disposition of the elements is balanced and it catches the look of the spectator, it is complete and it doesn’t give ease of distractions, rather it picks the concentration, thanks to the expedient of the meta-art, that is a reflection on art itself. The meditation was born from the observation and to such purpose you can see a second painting as subject of the first one, and further elements to look at its inside.
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